Sunday, May 26, 2013

PARTS UNKNOWN (& more), currently free for Kindle

PARTS UNKNOWN, the first entry in the Chris Lyon, exclusive-for-Kindle eBook series, is presently free for download for the Memorial Day weekend. You can get your copy here.

The Lyon series was the forerunner of my Edgar-nominated Hector Lassiter series. Using various overlapping characters, the worlds of Hector and Chris combine—a union that will reach its apex in Chris Lyon #4, ANGELS OF DARKNESS, coming in June. (More about the Lassiter/Lyon nexus here.)

Like the Lassiter novels, the Chris Lyon novels also frequently spin from historical events. PARTS UNKNOWN is built on the still-unsolved crimes of the Cleveland "Torso-slayer," a fiend whose mutilation murders extended from the 1930s into the 1940s, and possibly several decades beyond.

The killer was pursued by legendary "Untouchable" Eliot Ness, who transitioned from harassing Al Capone to serving as Public Safety Director of Cleveland.

In addition to my novel, if you download PARTS UNKNOWN, you also get my extensive interview with James Jessen Badal, who has written two definitive accounts of the Cleveland toros murders. An excerpt of that interview follows. Download your copy of PARTS UNKNOWN now for the full interview, and, ahem, the novel...

You'll also get the first chapter of ROLL THE CREDITS, a future entry in the Hector Lassiter series, which features a certain Cleveland cop named James Hanrahan (PRINT THE LEGEND). In addition to being Hector's primary sidekick in the forthcoming Lassiter novel, he is also a key player in PARTS UNKNOWN.

INTERVIEW EXCERPT OF DISCUSSION WITH JAMES JESSEN BADAL

Sweeney (the primary contemporary suspect in the torso slayings) actually ended up in Dayton for a period of time?

Tracing his movements through the V.A. system is extremely difficult.

He was a World War I vet?

Yes, he was a World War I vet. He was a medic. I quote one doctor who gives as clear a description of his odyssey as is possible. Part of the problem is fifty percent of the facilities, well, we just couldn’t find out what or where they were. He was in the Dayton psychiatric facility at least from the mid-1950s on. That’s where all of the postcards came from.

That’s fairly close to Yellow Springs. There was a Torso-style case in Yellow Springs.

I had heard that. I talked to one guy who tried to link the case to Cleveland. He wasn’t sure it was Frank Sweeney, but he was trying to bring it in because of the similarities and disposal technique and such.

The average serial killer, according to contemporary profilers, tends to fall into the twenty to thirty age-range.

Sweeney would have been older. He would have been in his forties. What complicates everything in his case is, that, yes, you can say he fits the serial killer profile to a degree, but he was a paranoid schizophrenic, and he had the manic-depressive disorder and alcoholism and drug abuse. A lot of the things I would show to the psychiatrists, and they would say, “Well, if he follows the pattern of this, this and this, then this is true, but then again, he could just have been crazy. Who knows?” That was a help...

Now, there is another recent book which puts forth the notion that there was no single killer and that these were disparate cases linked by the newspapers to sell copies... Now, that presumes there were a dozen or more people running around Cleveland beheading people.

No way. I am willing to concede that maybe even some of the canonical 12 weren’t done by the same person, but I think it’s ludicrous to say the newspapers were calling the shots. They weren’t. (Coroner Samuel) Gerber was. Gerber was far too much of an egotistical ego-maniac to allow anyone else to do that.

I have always been bothered by Gerber. In many ways, he benefitted from the crimes—not to say he committed them—but he essentially built a career around those crimes until the Sam Sheppard case came along. Then he made a name for himself with that one, until it came around with F. Lee Bailey and bit him on the other end.

Having read more newspapers than I care to think about regarding all of that, if you distinguish between the articles and the editorials: The articles—don’t get me wrong, they are filled with inaccuracies—but they were good enough in those days to always attribute what they said to someone. “So and so said...” Now, you get to some of the editorials, and, oh, this is just right out of the war between Hearst and Pulitzer. They’re just incredible. Wild stuff. In that sense, yeah, they did call the shots.

Well, there was a newspaper that was funding Ness’ cadre of secret people, right? That’s the supposition?

That’s not a supposition, that’s apparently a fact. Nobody knew that until I wrote about it. No one knew there was that secret a group of people. That was contained in a taped interview with David Cowles, who was the ballistics expert of the day, the head of the forensics science department and that was one of the things that absolutely blew our minds.

Saturday, April 20, 2013

TOROS & TORSOS AND THE HEMINGWAY MOJITO

Toros & Torsos is currently available for free download on Kindle at Amazon.com.

The novel, the second in the Hector Lassiter series, is set partly in Key West and Cuba, and features Ernest Hemingway in a supporting role, the author who really put the mojito on the map.

When I wrote Toros &Torsos several years ago, the mojito wasn't yet the trendy drink it has since become. (I had a few readers who mistakenly thought it was some gaffe that Hector and Rachel Harper and Hem were knocking them back in the 1930s.)

The rum drink comes in early in Toros:


Hector sipped his mojito, watching her. The woman sat down and Hector rose, walked behind her, and scooted in her chair. She was wearing a white dress that bared her shoulders and most of her back — more than a little sunburn there. He sat back down and gestured at his glass. Hector said, “Ever have one?”
“No,” she said. “I mean, I don’t think so. Not even sure what that is. Is that mint in there with the lime?”
“Mashed in, then some more as garnish.” Hector raised two fingers at his bartender friend. He pointed at his nearly empty glass and then at himself and the woman. “You’ll love this, trust me,” he said. “Calm your nerves. Like my Daddy said, ‘You’ve got to find what you love and let it kill you.’”




A bit later in the book, in Spain, Hector samples a mojito made to Hemingway's specifications and recoils at its bastardized taste:


He tapped glasses with a wary Hem and said, “Here’s to diminishing ourselves this evening.” He sipped the mojito and made a face. “This is no mojito.”
“It’s sweetened with honey,” Hem said. “You know I can’t abide sugar.”



Hemingway's favored version of the mojito was allegedly made to Papa's peculiar specifications in La Bodeguita del Medio in Havana, Cuba.



According to Hemingway & Bailey's Bartending Guide To Great American Writers, here's the straight-up mojito recipe:

INGREDIENTS:
6 fresh mint sprigs
1 oz. lime juice
3/4 oz. simple syrup
2 oz. light rum
lime wedge

HOW TO:
"Crush 5 mint sprigs into the bottom of a chilled highball glass. Pour in lime juice, simple syrup, and rum. Fill glass with crushed ice, and stir gently. Garnish with lime wedge and remaining mint sprig. Sometimes a splash of club soda is added."

INSTRUCTIONAL VIDEO:


TOROS & TORSOS (HECTOR LASSITER #2) FREE FOR KINDLE




TOROS & TORSOS is currently available for free download as an eBook exclusively from Amazon.com.

Although it is technically the second novel in the Hector Lassiter series, the book is set decades in advance of number one, HEAD GAMES, and so is a perfect starting point for first-timers.

-----------------------------

Here's a bit more about the novel:

Hector Lassiter is a legendary crime novelist who writes what he lives and lives what he writes. But Hector frequently goes a step beyond, drawing friends and lovers into the tawdry and turbulent territory of his fiction. Now, the large-living pulp author has at last met his match in the ultimate performance artist: a phantom killer committed to the art of murder… a blood-thirsty provocateur who leaves a string of macabre tableaus modeled on famous works of surrealist painting and photography…

Against the vivid backdrops of a killer hurricane that nearly destroyed the Florida Keys in 1935, the Spanish Civil War, post-war Hollywood and the first days of the Castro regime in Cuba, Hector engages in a decades-long duel against a cabal of killer artists…

As in its Edgar®-nominated predecessor Head Games, history and myth merge, drawing on recent scholarship pointing to the existence of a dark underground of artists, photographers and art collectors that flourished in Europe and United States through most of the Twentieth Century.

In a blood-limned haze of love, deception, murderous metaphor and devastating betrayal, nothing is what it seems and obsession and creativity collide in a wicked and unexpected climax that will shake the art world to its foundations…

*********
TOROS & TORSOS was also:

• A 2009 Crimespree Award finalist for Favorite Book

• A 2009 Crimespree Award finalist for Best in an Ongoing Series

• One of Woody Hauts' Favorites of 2009 (You can read his take on the book here.)

You can also learn more at my official site, and view additional trailers, access interviews and various other extras related to TOROS & TORSOS, including an interview I gave in France regarding surrealism and serial murder, right here.

Thursday, April 18, 2013

TOROS & TORSOS: FREE FOR KINDLE STARTING SATURDAY


"A bold, ambitious, genre-bending novel from the talented Craig McDonald."
— GEORGE PELECANOS, THE TURNAROUND



TOROS & TORSOS will be available for free download as an eBook exclusively from Amazon.com on Saturday, April 20.

Although it is technically the second novel in the Hector Lassiter series, the book is set decades in advance of number one, HEAD GAMES, and so is a perfect starting point for first-timers.

Here's a bit about the novel:

Hector Lassiter is a legendary crime novelist who writes what he lives and lives what he writes. But Hector frequently goes a step beyond, drawing friends and lovers into the tawdry and turbulent territory of his fiction. Now, the large-living pulp author has at last met his match in the ultimate performance artist: a phantom killer committed to the art of murder… a blood-thirsty provocateur who leaves a string of macabre tableaus modeled on famous works of surrealist painting and photography…

Against the vivid backdrops of a killer hurricane that nearly destroyed the Florida Keys in 1935, the Spanish Civil War, post-war Hollywood and the first days of the Castro regime in Cuba, Hector engages in a decades-long duel against a cabal of killer artists…

As in its Edgar®-nominated predecessor Head Games, history and myth merge, drawing on recent scholarship pointing to the existence of a dark underground of artists, photographers and art collectors that flourished in Europe and United States through most of the Twentieth Century.

In a blood-limned haze of love, deception, murderous metaphor and devastating betrayal, nothing is what it seems and obsession and creativity collide in a wicked and unexpected climax that will shake the art world to its foundations…

*********
TOROS & TORSOS was also:

• A 2009 Crimespree Award finalist for Favorite Book

• A 2009 Crimespree Award finalist for Best in an Ongoing Series

• One of Woody Hauts' Favorites of 2009 (You can read his take on the book here.)

You can also learn more at my official site, and view additional trailers, access interviews and various other extras related to TOROS & TORSOS, including an interview I gave in France regarding surrealism and serial murder, right here.

Thursday, April 11, 2013

SOME LOVE FOR PRINT THE LEGEND

It's more than three years since PRINT THE LEGEND—my novel about the death of Ernest Hemingway and J. Edgar Hoover's secret war on writers—saw the light of day, but in the past week it was given fresh attention from a couple of very different directions.

Nick Harmer of Death Cab for Cutie recently recommended PRINT THE LEGEND, along with key books by Ken Bruen, James Sallis, George Pelecanos, Gillian Flynn and several others. You can read Nick's tour list of crime fiction reads, and listen to his thoughts on crime fiction, here.

On Tuesday, PRINT, and the greater Hector Lassiter series, was touted by Kaite Stover as a favorite spring read on the Book Doctors on KCUR out of Kansas City. The discussion about PTL occurs around the 12:30 mark, but the whole show is interesting and has some engaging discussion on audio books, eBooks, Amazon.com and a number of other great recommended reads. Check it out here.


Sunday, March 24, 2013

CARNIVAL NOIR FREE FOR KINDLE & A CONTEST

Today (Sunday, March 24) only, CARNIVAL NOIR, the second novel in the Chris Lyon Thriller Series, is free for Kindle. You can get your copy HERE.

If you've read EL GAVILAN, you've already made the (brief) acquaintance of Chris and Salome Lyon, who had cameo appearances in that novel. Chris, too, cropped up fleetingly near the end of the Hector Lassiter novel, PRINT THE LEGEND.

The Chris Lyon novels are the books I wrote many years before the Lassiter novels I've become known for. In writing my series about Hector Lassiter, I rather liberally dipped into the Lyon novels to borrow occasional characters or the like.

At least once, I even picked up a few lines of prose from a Lyon novel and dropped them into a Hector Lassiter novel. More on that in a second.

Consequently, the two series entwine in a very deep way, and, in Lyon #4, ANGELS OF DARKNESS (coming in early April), Chris Lyon and Hector Lassiter will actually appear on the page together.

To mark that occasion, and today's free giveaway of CARNIVAL NOIR, the book in which Chris and Salome first meet, I'm offering a chance to win a copy of the ultra-rare and collectible limited edition of Hector Lassiter #2, TOROS & TORSOS.

The first person to write me via my website and correctly identify the lines I wrote in CARNIVAL NOIR in the early 1990s and then dropped into the Hector Lassiter novel ONE TRUE SENTENCE, will claim the limited edition of T&T.





Wednesday, March 20, 2013

JUDGING (AN EBOOK) BY ITS COVER


Last year, I put my toe in eBook original publishing’s treacherous waters.

I started out with my own, already-published novels for which I had retained electronic rights—HEAD GAMES and TOROS & TORSOS. That went pretty well, so I started thinking about moving on to some original stuff.

This wasn’t a hard decision: In a print market dedicated to a one-book-a-year publishing concept, I knew a lot of stuff I’ve written was never going to see publication anytime soon, or maybe not ever.

That sobering prospect made e-publishing seem a no-brainer. And so came PARTS UNKNOWN, CARNIVAL NOIR and new-this-week CABAL.



It’s been a heady experience so far, and one that allows the former art student in me to at last get some visual artistic urges out of my system via cover design.

Before putting my own eBook originals out there, I spent a lot of time looking at how others packaged their stuff.

The thing that struck me most is the terrible execution of the cover art for the bulk of eBook originals.


Fact is, as readers/consumers we do judge books by their covers.

Many a great tale has been commercially wrecked by a lousy cover.

Conversely, more than one mediocre book has seen its sales driven by a great piece of packaging.

***

I’ve always been a prolific writer and I was at this trade a long time before securing publication. Consequently, I have a lot of manuscripts in the hopper.

Looking over my unpublished backlist, I made the decision to first publish a long-languishing series of novels I wrote about a writer. Most of the books were written in the 1990s, and the series came close to earning me publication back around 1991 or ’92.

The author in those books was a guy named Chris Lyon. The novels turned largely on historic, unsolved crimes. They were, at base, literary thrillers.



In 2007, my debut novel, HEAD GAMES, was published. It was a literary thriller about an author named Hector Lassiter who pokes around famous historic, unsolved crimes and brushes shoulders with historic figures in the process. The Lassiter series clearly owed a lot to my experience writing the Lyon novels.

In the course of writing the Lassiter cycle, I sometimes picked up characters from the Lyon series (Lassiter sidekicks Bud Fiske and James Hanrahan, for instance, got their first work outs/mentions in long-ago written Lyon books).

Pretty quickly, the timelines, events and even some storylines from the unpublished Lyon series and the emerging Lassiter series got tangled up with one another.

The two series seemed bent upon speaking to and expanding upon one another. At some point, Chris Lyon insinuated himself into PRINT THE LEGEND.

Hector, particularly, began to push himself into Lyon’s unpublished saga in a big way.

As a result of that mingling, last year, I took the time and actually wrote a new novel uniting the two series after making the decision to launch the Chris Lyon thrillers myself as eBook originals. (More on that in a minute.)

***

For better or worse, with the notable exception of ROGUE MALES, I’ve always been pretty hands-on in terms of cover design and packaging concepts for my published books.

For good reason, most authors are not allowed anywhere near the design end of things. Somehow, that rule hasn’t applied to me.



HEAD GAMES’ cover was strongly modeled on concepts I put forth to Bleak House after seeing some first passes by designers that frankly left me cold.



For the Bleak House edition of TOROS & TORSOS, I negotiated my own contract with the estate of Diego Rivera for the painting that stands as that book’s cover.



PRINT THE LEGEND’s cover was drawn from a handful of suggested cover photos of Hemingway I provided St. Martin’s at my then-editor’s request.

EL GAVILAN’s cover, again, was drawn from an image I suggested of razor baling wire.


When it came time to design the covers for my own eBooks, I was thrilled by the prospect to have more cover control than ever before.

And I knew exactly this much: I wanted the Chris Lyon covers to be clearly linked visually, and to have a very bold, straight-forward branding concept that stood out from the pack.

Looking over the genre series covers that most resonated for me over the years, I turned immediately to two popular series.

The first was the Bantam Doc Savage pulp novel reprints of the early 1960s. These were executed by the brilliant, realist painter James Bama.



Bama chose an unusual monochromatic approach in painting his best and most iconic Doc Savage covers.

I decided the Lyon covers would also follow a monochromatic approach to immediately link them in the reader’s mind and eye.



The other works I seized on were the hardcover James Bond illustrations, particularly the British first edition covers painted by Richard Chopping (working with significant input from author Ian Fleming).

The Chopping covers tended to feel of-a-piece, and they rely on a single, in-your-face image drawn directly from each novel.



In my mind, I saw some blending of the Bama/Chopping covers: strong image and one hue.

To execute these hypothetical covers, I approached the brilliant JT Lindroos, who designed the cover for my first published book, 2006’s collection of author interviews, ART IN THE BLOOD.



In discussing cover ideas with JT years ago, I suggested an image for ART IN THE BLOOD of a blood-splashed typewriter. JT took that shorthand suggestion and expanded upon it to brilliant and striking effect.

I followed a similar, minimalist design suggestion approach with JT for the Lyon covers.

I provided him with samples of some key Bama and Chopping Doc Savage and Bond covers (reprinted here), the overarching concept I saw for combining their styles, then the Lyon book titles and a couple of suggested images for each novel.

JT ran with all that, in nearly every case providing the perfect cover for each title on his very first pass—covers that seemed drawn directly from my mind’s eye.

CABAL, the third Lyon novel, made its Kindle-exclusive appearance this week. It shifts back and forth in time, from the 1990s, to the 1880s and Victorian London. The Whitechapel murders attributed to Jack the Ripper are key to the plot, and Mr. Lindroos’ bloody red cover conveys that fact in simple and evocative fashion, I think.



At this writing, I’m finalizing plans for Chris Lyon number four, which will bring Chris Lyon and Hector Lassiter together on the page in a very big way.

The novel is a kind of Rosetta stone for my fictional universe, underscoring the overarching themes of both the Lyon and Lassiter series, and setting up a new crime-solving author who could conceivably be passed the torch by Hector and Chris somewhere down the line.

This new eBook original also directly links back to my second Lassiter novel, TOROS & TORSOS.



The  new book will appear in April, exclusively for Kindle, and is entitled “ANGELS OF DARKNESS,” a title that is a nod to Arthur Conan Doyle, who also suggested the title for ART IN THE BLOOD.

Mr. Lindroos got my suggestions for Angels’ cover last night.

It’s pretty simple imagery I suggested for this one: Something golden or bronze… Something with forbidding looking angels or images evoking menace and Scotland, the setting for much of the novel’s early action.

A bit ago, I got his first pass at an ANGELS cover. Two concepts; the second one, a very striking and unusual take, was perfect.

I'll share that image soon for book #4. In the meantime, if you're looking for a brilliant cover artist, check out Mr. Lindroos other work here.