Sunday, June 6, 2010


This weekend, I completed a listen to the newly released, unabridged audio version of PRINT THE LEGEND by Recorded Books and featuring Tom Stechschulte as reader.

PRINT THE LEGEND is the third of the Hector Lassiter novels and the third to be read by Tom. Tom was my first choice to serve as the voice of Hector Lassiter and all those who people Hector's world including Ernest Hemingway, Orson Welles, John Dos Passos, Rita Hayworth, Marlene Dietrich and a host of other historical figures.

Tom earlier read my debut novel, HEAD GAMES — one in which Hector narrates the tale — eerily bringing to life the voice and attitude of the man I'd been hearing in my head as I composed the eight novels in the Hector Lassiter series. (Yes, all eight are already written; number four, ONE TRUE SENTENCE, will be released by Minotaur Books in April 2011). You can hear a sample of Tom reading from HEAD GAMES here.

Next came TOROS & TORSOS, which is presented in third-person POV, and required Tom to embody not only a younger Hector Lassiter than the 57-year-old man of the first novel, but also to portray Ernest Hemingway; a young, obsessed Orson Welles and a woman I envisioned as the kind of ultimate femme fatale. A sample of Tom reading TOROS can be found here.

And now we come to PRINT THE LEGEND. Hector Lassiter is 65-years-old throughout most of this book, and Tom gives Hector the charisma and bearing appropriate to a legendary writer who has been dubbed "The man who writes what he lives and lives what he writes," as well as, "The Last Man Standing of the Lost Generation."

PRINT is Tom's best peformance yet, giving us not only a convincing old and ailing Ernest Hemingway, but also the writer's formidable, alcoholic and dangerous widow, Mary...a passel of Hemingway scholars, the deadly FBI agent Donovan Creedy and the book's heroine, young, Scottish and very pregnant fiction writer Hannah Paulson.

You can read an interview I conducted with Tom earlier this year here.

PRINT THE LEGEND, the recording, is available from Audible here, where you can also sample the opening passages of the recording. The audiobook is also available at your local library.

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