Writers who become bound up in quixotic, violent causes: Sadly,
you could write a book.
1823: The poet Lord Gordon George Byron becomes swept up in
the Greek independence movement. He chips in cash, various other resources,
and, eventually, plans to personally lead a military action. Byron falls ill,
undergoes a course of “therapeutic bleeding” (from which he probably contracts
sepsis) and dies in Greece in 1824.
1939-45?: Ernest Hemingway ran his own spy/anti-German
submarine contingent called “The Crook Factory,” then later operated a guerilla
unit while serving as a WWII correspondent in the European Theater. Hem ended
up facing a formal hearing for his actions (see my Hector Lassiter novel, ROLL
THE CREDITS for more on that latter).
1970: On November 24, Japanese novelist-playwright Yukio
Mishima, 45, stages a coup attempt that ends in his committing seppuku (ritual disembowelment)
and then beheading at the hands of one of his four co-conspirators.
Yukio Mishima (born Kimitake Hiraoka) was a gifted novelist
and one of Japan’s great literary figures. He was a true renaissance man who
composed nearly three dozen novels, nearly as many books of essays, more than
two dozen short story collections, plays, screenplays and who dabbled in
acting.
Mishima's poorly received speech delivered minutes before his ritual suicide. |
He was considered a likely contender for the Nobel Prize for
literature.
Mishima was increasingly appalled by Japan’s post-war
Westernization and turned further and further toward martial arts studies and
an embracement of Samurai codes of life and personal conduct. He practiced
body-building and kendo, and, in 1968, he formed is own private militia.
His death came almost immediately upon completion of his novel, THE DECAY OF THE ANGEL, the final volume of his SEA OF FERTILITY tetralogy that many regard as Mishima’s masterwork.
Yukio Mishima shares a lunch with my fictional novelist,
Hector Lassiter, in DEATH IN THE FACE, the next-to-last novel in the Lassiter
series.
Lassiter is in Japan, dogging the steps of his fellow
thriller writer Ian Fleming, who has come to gather materials for his James
Bond novel YOU ONLY LIVE TWICE.
Over a meal and drinks, Mishima shares his horror at Japan’s
post-war condition to Hector—a deep and troubling concern shared by many of the
villains in my novel, including an all-too-real clandestine ultranationalist
cabal called the Black Dragon Society. (The group was actually operating in
1940s America, in the San Joaquin Valley of all places, and within Japanese
internment camps after the attack on Pearl Harbor.)
In sum, Mishima is yet another in a long-line of gifted,
self-destructive creative artists who poses a cautionary, unsettling example to
novelist Hector Lassiter who is now himself becoming a “lion in winter”.
DEATH IN THE FACE
NOW AVAILABLE here
NEXT TIME: Robert Shaw, actor and novelist, and his role in
DEATH IN THE FACE.
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