The Hector Lassiter novels (ten of them, including HEAD GAMES) frequently incorporate real people.
All of that carries over into HEAD GAMES, THE GRAPHIC NOVEL, coming Oct. 24, 2017 from First Second Books.
The range of “real characters” is prodigious, from the real-life personalities who dominate some of those books’ action, to those real people who are, well, fleeting, yet still influential.
Some are famous, some are even infamous.
Some are little known to the wider public, yet they affected the course of history and the Lassiter series sometimes aims to give these historical ghosts their proper due.
To give a little bonus context to those “characters” who appear in HEAD GAMES: THE GRAPHIC NOVEL, we’re delving into each, here and there, over successive Thursdays…
Revolutionary Modernist/fiction stylist, journalist, big game hunter,
sports fisherman and an icon of 20th Century American masculinity:
Along with Orson Welles, he’s the most dominant historical
figure in the Hector Lassiter series.
Although not an on-the-page character in real-time in HEAD
GAMES: THE GRAPHIC NOVEL, Hemingway looms over the book as a kind of larger-than-life,
émeinence grise.
Longtime friends dating back to Hemingway and Hector’s teens
along the Italian front as ambulance drivers, Hemingway or “Hem” as he’s mostly
referred to in the Lassiter novels, also appears in ONE TRUE SENTENCE.
In that novel, we see Hector and Hem as young, expatriate
aspiring novelists, both struggling to hone their craft and make a name amongst
the Left Bank literati that included such diverse Modernist figures as Gertrude
Stein, James Joyce and Williams Carlos Williams.
Hem next surfaces in TOROS & TORSOS, where we find
Hector and Hem both living in 1930s Key West, Florida, now established writers,
but becoming increasingly competitive about their respective success. (Or, at
least, Hem is feeling the competition, and bitterly so...one of his more unattractive, real-life traits, alas.)
A grisly murder mirroring a famous work of surrealist
painting sets the two off on a Holmes and Watson-style investigation that will
span decades and continents, stretching from Florida, to Civil War-era Spain,
to Cuba in the earliest days of Fidel Castro.
Hem also makes a cameo appearance in the novel ROLL THECREDITS, set during World War II and also during a period of bitter
estrangement between Hem and Hector.
A couple of TOROS & TORSOS Easter eggs are in the
graphic novel that didn’t make the original words-only HG novel: We get a brief glimpse of a fist-fight between the
two writers that punctuates their long split.
Also, if you look closely, you’ll get a glimpse of a certain surrealist nude self-portrait by a sexy female artist key to T&T’s plot and the Hec-Hem split.
Also, if you look closely, you’ll get a glimpse of a certain surrealist nude self-portrait by a sexy female artist key to T&T’s plot and the Hec-Hem split.
This all sets the table for Hem’s last Hector Lassiter
series appearance, in PRINT THE LEGEND, a novel about FBI Director J. Edgar
Hoover’s detestable war on writers—particularly on Hemingway—throughout much of
the 20th Century.
Next time: ORSON WELLES
THE HECTOR LASSITER SERIES, AS PUBLISHED BY BETIMES BOOKS: