Showing posts with label Davis Grubb. Show all posts
Showing posts with label Davis Grubb. Show all posts

Sunday, January 6, 2013

REMEMBERING DAVIS GRUBB & THE NIGHT OF THE HUNTER



I guess it was back about 1991 or so that I went through a brief but intense Davis Grubb period.

Grubb, a West Virginia author, made a splash with his debut novel, THE NIGHT OF THE HUNTER, a wicked tale about a homicidal preacher chasing a couple of kids down the Ohio River after murdering their mother in the early days of the Great Depression.



The novel earned good reviews, got a fair amount of attention, and swiftly inspired a classic film with Robert Mitchum and Lillian Gish mounted by one-time-only director Charles Laughton. James Agee wrote the script that hews pretty closely to the original source material.



Back in the day, I made a kind of barnstorming run through Moundsville and some parts of Wheeling that still smacked of Grubb country, but it was a pretty informal and scattered pilgrimage.

In this month’s Crimespree (#49 should have hit store shelves or mailboxes sometime over the last few days, or soon will), I write of NIGHT OF THE HUNTER and, particularly, its murderous inspiration and author.

I wrote the article over the Thanksgiving holiday where we were staying in a mountain resort a short distance from Wheeling and more significantly, from Moundsville, Davis Grubb’s long-ago abandoned hometown.



(Grubb spent most of his adult life in New York. When, closer to the end of his life, a movie based on his book FOOL’S PARADE was filmed in Moundsville and its world premier held there, Grubb took a taxi all the way from NYC to Moundsville and back, racking up one of the world’s great cab fares.)

I decided to use my holiday proximity to spend a bit more time in Grubb country for a second time; to see some key places that shaped the author and to take a few pictures along the way (most of which do not accompany the Crimespree article).

NIGHT OF THE HUNTER was based on the real life lonely hearts murderer and so-called “Bluebeard” Harry Powers, a pretty twisted piece of work who racked up a string of aliases and an unknown number of victims. In the 1930s, Powers was hanged in the fearsome-looking Moundsville Penitentiary, which still looms a few blocks from the childhood home of Davis Grubb.





Powers is buried in a prison cemetery and figures prominently in the museum room of the no-longer in service state pen, which is open to the public for tours and whose walls in the old visitor's area are adorned with Davis Grubb memorabilia.



In the course of preparing my Crimespree article, I toured the prison and located Grubb’s old home. His family lost the place when Grubb was still a child. They say Mr. Grubb was so attached to the old homestead that he carried around a photo of the house for the rest of his life.



Grubb died in July 1980 in New York City.

A new independent film about Powers, and his inspiration of Davis Grubb’s most noted novel, is also now making the rounds on the Indy film circuit.

You can read more about that here, and even listen to a long-ago popular song about the murders that inspired NIGHT OF THE HUNTER here.

If you wish to order or subscribe to Crimespree, you can do so right here.

Sunday, February 14, 2010

SIGNS AND WONDERS INTERVIEW


At Rod Norman's SIGNS AND WONDERS site, the focus is often on interviewing crime novelists not just about their books, but about music and film and the nexus of those artistic forms with the craft of writing novels.

Today I'm interviewed by Rod in conjunction with the coming Feb. 16 release of my third novel, PRINT THE LEGEND.

It's a wind-ranging exchange that encompasses favorite and memorable concerts, favorite songwriters (Kris Kristofferson and the late, great Mickey Newbury), but also favorite TV series and films that did justice to the novels on which they were based. Charles Laughton's amazing adaptation of West Virginia Davis Grubb's classic debut novel, NIGHT OF THE HUNTER finds favor.

Rod also tends to ask for touts regarding singer/songwriters who might be new to listeners...such as Melissa McClelland who penned the noirish Passenger 24.

We also talk about favorite films... Mine includes Alan Rudolph's THE MODERNS about the 1920s Paris art scene. The film, which incorporates such historical figures as Hemingway, Gertrude Stein and Alice B. Toklas, was a major influence in shaping the second Hector Lassiter novel, TOROS & TORSOS. A few of the film's characters names actually crept into TOROS (one, a sinister art collector from THE MODERNS, the other a gallery owner). The film's soundtrack, composed by Mark Isham, is also a favorite and contains tracks I return to often while writing.

You can read Rod's interview here, along with his previous interview of Ken Bruen, here.