Showing posts with label Doc Savage. Show all posts
Showing posts with label Doc Savage. Show all posts

Sunday, December 11, 2022

SNEAK PEEK OF ZANA O'SAVIN #2 "THE MOTHMAN MENACE" COMING SPRING, 2023

The following is a sneek preview of Chapter 1 of THE MOTHMAN MENACE, the second in the new series of Zana O'Savin novels that provide a unique pastiche take on classic pulp characters including Doc and Pat Savage, The Shadow and The Avenger.



ORDER ZANA O'SAVIN #1 THE BLOOD OGRE:

HARDCOVER

SOFTCOVER

Chapter 1

THE RED-EYED DEVIL

(Point Pleasant, West Virginia, 1967)


Zana O’Savin’s craving for “breakfast for dinner” put the bronze-skinned young woman and her longtime companion in life-threatening peril at five minutes past five o’clock on the afternoon of December 15.

The pair were bound for Columbus, Ohio. Zana was currently at the wheel of their Granada Gold, Chevrolet Impala hardtop.

Caving into piercing hunger pangs, ageless Zana was adamant she wanted food now, on the West Virginia-side of the Ohio River.

Her passenger with impossibly enormous fists grimaced. 

The giant gave his sleek and slender bronze-skinned driver with copper-colored hair a savoring head-to-toe. “Swear to God, the way you wolf down chow, Tarzana? Christ. You should be built like a long-haul trucker. Holy Jesus, like an NFL linebacker. Anyway but the way you are built.”

The big man didn’t so much say that as rumble it. His deep voice suggested rolling thunder.

Zana’s equally ageless colleague, the towering, glum-faced and big-fisted civil engineer who to this generation and perhaps even the next was known as “Colonel Iain Raven Rauenwich,” was all for pushing on. 



Iain, who more often simply went by his former military rank of “Colonel,” was in favor of getting across the Silver Bridge well-ahead of Friday rush-hour traffic. He much preferred to eat on the Ohio side of the river. Say, in Gallipolis, Athens, or some point still further northeast.

Spotting what the Colonel took for a small-town greasy spoon, Zana made a sharp, impulsive curve into a side street adjacent to the post office, palming the Impala’s steering wheel and whipping into a head-in parking space.

It was just a few minutes before four o’clock on an icy Friday afternoon. 

It was also ten days shy of Christmas. The streets were crammed with yuletide shoppers, emptying the shelves of downtown Point Pleasant mom and pop merchants.

As the tall woman and still-taller man ducked out of their Chevy, a snow-and-drizzling-rain mix stepped up. Cobra-hooded street lights winked on along a darkening Main Street.

Collars up against the chilly damp, Zana and the Colonel darted toward the diner. From a distant radio or jukebox they dimly heard “What Becomes of the Brokenhearted.”

All is lost, there’s no place for beginning/All that’s left is an unhappy ending.

The Colonel held the diner door for a young family—father, mother and daughter. The little girl sported a royal blue winter coat and hat. The child carried a doll with a matching ensemble and the identical shade of blond hair.

The little girl smiled up at the towering Colonel, but then her blue eyes got wide when she glimpsed his outsized hands.

***

Once inside, the couple drew stares as they tended to, everywhere they went. 

The Colonel topped out somewhere over six-five. 

Then there was the matter of his massive mitts, each gargantuan hand the size of a small pail, yet capable of imagining and then bringing into being soaring skyscrapers, sublime suspension bridges; breath-stealing and mountain-hugging highways, as well as startling design elements hidden within the iconic Empire State.

Of all of her storied-cousin’s remarkable aides, the imposing engineer’s achievements were likely to resonate the longest, Zana imagined; the most likely to stoke long-cherished memories.

But his giant hands were also capable of committing carnage to stoutly-constructed wooden doors and occasional jackasses’ jawbones.

The strapping engineer had a long, yet still handsome face and dark hair slicked straight back. He was perpetually dour looking. His gloomiest appearance, perversely, was usually an indicator of his underlying happiness. On the other hand, his rare smiles were to be dreaded; even known to invoke fear in those who knew him best.

Yet Zana drew far more attention from the seated diners.

She was strikingly attractive, sure. In a sea of pale West Virginians bracing for the official start of winter, Zana’s sun-kissed bronzed skin set her still farther apart.

But mostly there was the matter of Zana’s intensely exotic eyes.

Their arresting irises suggested flake gold, but layers of delicate gold leaf set in perpetual motion, as if stirred by a soft breeze. Zana’s strange but lovely eyes were naturally hypnotic. 

If the low light in the diner had been any better, Zana would have resorted to a pair of non-prescription tinted glasses she sometimes wore to obscure her mesmerizing golden eyes.

The pair were quite aware of other diners studying them as they made their way to their booth and curtly placed their orders. Apart from their looks, they were also clearly out-of-towners in this small riverside community of about four-thousand in which everyone knew everyone else and overnight unlocked front doors weren’t uncommon.

Or at least that was so until recently. 

A lone, gray flannel-suited salesman had just finished his T-bone steak and eggs-over-easy. He now browsed the local paper. He was seated at the table between Zana, the Colonel, and the mostly-full lunch counter.

The apparent salesman’s newspaper’s front page boasted a banner headline about “a red-eyed monster” that had “again been spotted,” this time terrorizing hormone-addled teenagers along a lonely Point Pleasant-area county two-lane.



Zana and the Colonel had heard something on the radio an hour before about several such sightings of a gray- or black-skinned “flying thing.” 

This was a creature said to have blazing red eyes.

The flying thing was claimed to have the appearance of a tall man, perhaps one even of the Colonel’s rare size, but with vast furred or feathered wings rather than arms. And the thing reportedly had a wing-span estimated at between ten-to twelve-feet.

Or so rattled eyewitnesses insisted.

Presumably also spying the newspaper headline that drew Zana and the Colonel’s attention, a husband and wife sitting closer to the Colonel abruptly launched into an emphatic exchange in clenched-teethed whispers.

“There, ya see,” the husband said, nodding at the newspaper-reader. “I really think I gotta report it, Della,” the man spat. “This monster is real, I tell ya!”

Despite the low light, the man wore dark sunglasses. He raked shaking, callused fingers through graying hair. His wife, whose light-brown hair was even faster graying, shook her head emphatically no

“Absolutely, not! I forbid it! They’ll think you’re crazy, Ronnie!”

Leaning forward, Ronnie insisted, “But that red-eyed devil? That thing chased me nearly a hundred miles an hour down the road out to the old TNT plant! Thought the truck was gonna throw a rod or bust an axle. If I hadn’t panicked? Hadn’t hit her horn? Hell, if I hadn’t scared that goddamn monster off just honkin’ at the thing? Heaven only knows what might have happened to me!” 

He jabbed a thick and trembling finger at his wife. “Wait! Now wait just a damn minute, Della! Now I see what this is! You think I’m crazy, don’t you? You think I made this crap up?”

Mouth agape, he said accusingly, “Good God! You do think I’m delusional, don’t you?”

Della was evasive. “The police will surely think you’re crazy, or you were drunk,” Della insisted. “You only have your word for what you think you saw.”

Husband Ronnie said tightly, “Ya know that’s not true! What about the claw marks on my truck’s roof?” 

He next pointed at his face. “And what do ya make of these? Hell, even Doc Teller can’t explain my peepers!”

Ronnie shed his dark glasses, revealing profoundly bloodshot eyes. The skin around each scarlet eye, too, was swollen with a livid red rash. His mauled eyes suggested nasty chemical-caused blisters or at least the wickedest of sunburns.

Yet the rest of the Midwest farmer’s weathered face was December-pale.

Zana and the Colonel together winced at the palpably painful irritation around the man’s disturbingly bloodshot eyes.

Ronnie’s wife hissed, “Put those glasses back on before someone else sees, you fool!”

The engineer and his attractive companion exchanged a look, each arching an eyebrow.

“There it is again,” Zana whispered. “This strange, winged creature with blazing eyes.”

“Which just sounds like an over-large barn owl to me,” the Colonel said, struggling to speak softly, or at least far lower than his usual booming grumble, so that only Zana might hear. 

He pointed an enormous index finger at the ceiling. “And that’s the other thing that makes this Mothman so much malarkey to me. Every eyewitness claims this flying thing, this so-called Mothman, takes off vertically. Straight up, like a helicopter. Outside of a humming bird, what’s another flying animal that can move with true verticality beyond a modest, wing-assisted upward jump-leap? Gonna save you the trouble of an answer, sweetheart. Nothin’, that’s what!”

He suggested bird flight with big motioning hands. 

“A duck can rise a very few feet straight up over open water, but then has to immediately begin forward motion. The kind of flight these folks attribute to this Mothman? They describe this critter flying straight up for dozens, if not a hundred or more feet. That defies the laws of physics and aerodynamics for any non-mechanical flying thing. At least trust me on that much.”

Zana said, “Then what are these folks seeing, Iain?”

Glum-faced, the engineer shrugged broad shoulders. “Christ’s sake! Who says they’re truly seeing anything? Call it mass hysteria? Too many left-handed cigarettes?” 

“But they’ve been reporting this thing since last November, the radio guy said,” Zana pointed out. “Hundreds claim to have seen it.”

“And the newspaper, radio and TV reporters have been salivating all over those supposed sightings, like flies on dung. So, most likely, it’s now mass-hysteria, like I said. I’m sure your genius doctor cousin could make a convincing psychological case for collective delusional contagion—”

The Colonel suddenly cut himself off and waved a dismissive, over-large hand. 

He sat back as their smiling waitress with majestic black beehive arrived carrying their twin plates heaped with sunny-side-up eggs, bacon, glistening slabs of ham and a silver flask of piping hot, keep-you-up-all-night (and-then-some-more) black coffee.

From a nearby table, the smiling little girl he’d held the door for waved at the Colonel by wiggling her lookalike doll’s hand at him.

He responded with a big hand wave of his own. That elicited a fond smile from Zana. “You ever think you maybe want a child of your own, Iain?”

He just shrugged big shoulders. “For all kinds of reasons we both grasp, I don’t let my mind go there.”

Zana smiled wistfully and shrugged back. “I suppose.”

They were just starting to savor their ensuing and artery-threatening meal over a mixture of friendly bickering, vigilante shop-talk, and thinly-veiled flirting, when the strange, black-clad men strutted in out of the mounting cold.

The odd-looking men dressed in immaculate and identical black suits marched in eerie lockstep.

Scowling over the rim of his coffee mug, the Colonel grumbled, “Holy cow, now! Forget made-up winged monsters. But do tell me, please, Zana? What do you make of those black-clad freaks?”


Saturday, May 13, 2017

THE ALMOST DOC SAVAGE CARTOON WE NEVER GOT

Once upon a time, we almost got a Doc Savage cartoon from Doug Wildey, of "Jonny Quest" fame, with some input from "The Rocketeer" creator Dave Stevens.

So, what went wrong? According to this site:

"Wildey had a pet peeve when it came to updating vintage characters to contemporary times, according to (Will) Murray in a 2004 article in Comic Book Marketplace. Previously he had abandoned a Tom Swift cartoon project for this reason.
“I hired a young guy named Dave Stevens,” Wildey is quoted by Murray. “At the time, he was a Doc Savage freak. I had never personally read Doc Savage. Dave explained who the characters were and what they did. I felt that Doc Savage had enough strength and I went ahead and did it in my off hours. I brought it in to Joe Barbera (of Hanna-Barbera Studio, the producers of Jonny Quest) and said, ‘What do you think?’ But he wanted to update it. The charm was gone.”

Some tantilizing images from the project that might have been (including one of the best visuals of chemist Monk Mayfair out there):





And for those poor souls who've not heard of Jonny Quest:




Saturday, November 29, 2014

CROSSOVER: PHILIP JOSÉ FARMER & THE INTERCONNECTEDNESS OF EVERYTHING


Every once in a great while, strange coincidences occur. Things intersect unexpectedly.

In a post yesterday regarding the Chris Lyon series and its ties to my Hector Lassiter novels, I off-handedly mentioned author Philip José Farmer and the Wold Newton Family/Universe concept that was launched by Mr. Farmer in two biographies he wrote of two “fictional” characters during the 1960s: John Clayton, Viscount Greystoke (AKA, Tarzan) and Clark Savage, Jr. (AKA, Doc Savage).

The latter became a hero of mine in the 1960s when my grandfather handed me a paperback reprint of the second Doc Savage pulp, THE LAND OF TERROR, penned by one Kenneth Robeson (a house name disguising its real author, Lester Dent). 
LESTER DENT

I became obsessed with the Savage character and read everything, including Mr. Farmer’s biography of Mr. Savage, as well as his pastiches involving the character and Doc’s pulp cohort, The Shadow (at one point, Mr. Farmer even wrote short stories involving Mr. Dent, and Walter B. Gibson, the man who wrote most of The Shadow novels through the 1930s and ’40s).

I became enthralled with Farmer’s literary detective work in linking up biographies and family trees by tracing clues across disparate fictional works. I liked the idea of everything, really, joining up, just so. And, so, in that post yesterday, I referenced Mr. Farmer, and The Big Picture he pioneered, this theory of everything pulp fictional, so to speak, that he pretty much invented.

Imagine my surprise when, a few hours after setting an auto-post on the blog entry mentioning Mr. Farmer (a post not quite gone live at that point), that a site run by authors intent upon carrying on Mr. Farmer’s Wold Newton efforts focused very squarely and unexpectedly on Hector Lassiter and one of my new novels featuring the novelist/screenwriter, THE GREAT PRETENDER.


Over at the Crossover Universe, Sean Levin wrote in part:

"Author Hector Lassiter suggests to a mysterious woman that he has just met that they go to the Cobalt Club. The woman replies that it sounds better than the Pink Rat. Lassiter and the woman, Cassie Allegre, leave the Cobalt in a cab driven by a man named Moe. The Cobalt Club, the Pink Rat, and Moe “Shrevvy” Shrevnitz are from the Shadow novels. Lassiter’s friend Orson Welles appears in the book, and reference is made to him voicing the Shadow on the radio. However, the comic book story “To Cloud Men’s Minds” (The Shadow Strikes! #7 by Gerard Jones, Rick Magyar, and Frank Springer, DC Comics, March 1990) establishes that Welles (or Grover Mills, to use the pseudonym given to him by Jones) did briefly produce a radio show loosely based on the Shadow’s exploits in the CU. This crossover brings Hector Lassiter into the CU."

As I’ve said, for many decades, I’ve been a fan of Mr. Farmer and I’ve kept a toe in the Wold Newton waters, including an avid read a few years back of this gem called MYTHS FOR THE MODERN AGE, edited by Win Scott Eckert, which I was inspired by Mr. Levin’s blog post to dig out of my library and revisit over lunch today. 

As it happens, I read that Shadow comic Mr. Levin referenced back many moons ago, when it was fresh...even traded a note or two with its author sometime back, though nothing to do with that particular issue...just his work with The Shadow in general.

When I decided to revisit Orson Welles and his relationship with Hector Lassiter—determined to focus on The War of The World’s Panic Broadcast of 1938 and the filming of THE THIRD MAN, I decided to have a little fun with Shadow Easter Eggs—to run Mr. Lassiter through a gauntlet of NYC/Shadow landmarks including the Cobalt Club, the Pink Rat and to have him take a ride with Moe, the Shadow’s cabbie.

I’d done something similar in TOROS & TORSOS back in the day (another Lassiter featuring Welles and also name-checking The Shadow radio show to which Welles was fleetingly attached).

At the time TOROS was pretty new, another astute and bookish reader caught me at my meta-textual games and called me out on them. Corey Wilde wrote:

“Not content with overlapping his fictional creations with historical figures, McDonald weaves into the tale fictional characters that are not of his own creation. Case in point: A dinner guest mentions that she is reading a western novel by Holly Martens. Just in case that name doesn't ring a bell with you, Holly Martens was the name of the character, a writer of westerns, that Joseph Cotten played in THE THIRD MAN. And who starred in that film with Cotten? Orson Welles. But Orson Welles appears as himself in this story. Are you starting to get the idea that this book may be a little...surreal?”

The fact is, I do this kind of thing, a lot. Maybe too much.

But, the other fact is, most of my references are pretty obscure and so fly well under the radar.

My Lassiter novels, particularly, are brimming with references and winks to other fictional works. (I’m a big fan of the Alan Rudoph film, THE MODERNS, as I’ve confessed more than once. If you know the film, and if you read TOROS carefully, you could turn catching MODERNS’ references into a pretty intoxicating drinking game.  Hell, there are even some subtle nods at NORTHERN EXPOSURE in that novel.)

As the books stay out there and gather some years—as they garner more readers—more knowing people come on board and increasingly find me out.

A bit earlier this year, a pretty wonderful post (that, again, coincidently appeared on my birthday, of all days) regarding HEAD GAMES caught me in all of the obscure references inspired by Tom Russell's music that I crept into that novel—a book so inspired by Mr. Russell’s music that I actually dedicated the novel to the singer/songwriter.


A writer I much admire once remarked authors tend to build in these kind of little things to keep themselves amused or interested. Guilty as charged. But it’s also a way of acknowledging inspirations, artistic debts.

If you do it too much, or too loudly, you risk bouncing people out of your books. But if the right reader comes along, and embraces the knowing nods, it can open up a much wider fictional universe.

Oh, and that whole interconnectedness thing?

The next Hector Lassiter novel, coming out in just a couple of weeks, is called THE RUNNING KIND.

It's the usual mixture of little known historical crime and some real people...including a cameo by a certain Mr. Lester Dent.